WOMEN’S REPRESENTATION IN WORLD LITERATURE: FROM SILENCE TO VOICE

Authors

  • Po‘latova Ruxshonaxon Second year student of Kokand university

Keywords:

Women’s representation, world literature, feminist criticism, gender roles, female authors, voice, silence, empowerment, intersectionality, literary evolution

Abstract

This paper explores the evolution of women’s representation in world literature, tracing the shift from historical silence and marginalization to active voice and empowerment. Drawing on feminist literary theory and global perspectives, it examines how female characters and writers have moved from being confined by patriarchal narratives to becoming central figures in storytelling.

References

1. Beauvoir, S. de. (1949). The Second Sex. Vintage Books.

2. Bishop, R. S. (1990). “Mirrors, Windows, and Sliding Glass Doors.” Perspectives: Choosing and Using Books for the Classroom, 6(3).

3. Gilbert, S. M., & Gubar, S. (1979). The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Yale University Press.

4. Mohanty, C. T. (1988). "Under Western Eyes: Feminist Scholarship and Colonial Discourses." Feminist Review, (30), 61–88.

5. Morrison, T. (1992). Playing in the Dark: Whiteness and the Literary Imagination. Harvard University Press.

6. Spivak, G. C. (1988). "Can the Subaltern Speak?" In C. Nelson & L. Grossberg (Eds.), Marxism and the Interpretation of Culture (pp. 271–313). University of Illinois Press.

7. Woolf, V. (1929). A Room of One’s Own. Hogarth Press.

8. Adichie, C. N. (2014). We Should All Be Feminists. Anchor Books.

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Published

2025-08-31

How to Cite

WOMEN’S REPRESENTATION IN WORLD LITERATURE: FROM SILENCE TO VOICE. (2025). SYNAPSES: INSIGHTS ACROSS THE DISCIPLINES, 2(8), 52-56. https://universalpublishings.com/index.php/siad/article/view/13550