Abstract
The present study investigates authorial neologisms as one of the most productive linguistic mechanisms for constructing individual literary style in Russian, Uzbek, and English literary discourse of the twentieth and twenty-first centuries. The research focuses on the interaction between lexical innovation, stylistic identity, and literary representation, emphasizing how newly created lexical units contribute to the formation of artistic reality and conceptual meaning. Special attention is paid to the linguistic creativity of writers whose works demonstrate distinctive approaches to neological construction.
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