Vol. 2 No. 5 (2024), Articles
Vol. 2 No. 5 (2024)

TRADITIONS AND CUSTOMS OF UZBEKISTAN. CULTURAL EVENTS

Articles
Published 2024-05-06
Teshaboyeva Nafisa Zubaydulla qizi
Jizzakh branch of the National University of Uzbekistan named after Mirzo Ulugbek The faculty of Psychology, department of Foreign languages Philology and teaching languages Supervisor
Ne’matova Muhlisa Naim qizi
Student of group 403-22
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Keywords

Uzbekistan, traditions, customs, cultural events, hospitality, mehmondo'stlik, family, weddings, art, craft, suzani, ikat, ceramics, Navruz, Sharq Taronalari, Boysun Bahori, Silk and Spices Festival, Asrlar Sadosi, cuisine, architecture, literature, poetry, folk art, dance, pilgrimage sites.

How to Cite

TRADITIONS AND CUSTOMS OF UZBEKISTAN. CULTURAL EVENTS. (2024). "XXI ASRDA INNOVATSION TEXNOLOGIYALAR, FAN VA TAʼLIM TARAQQIYOTIDAGI DOLZARB MUAMMOLAR" Nomli Respublika Ilmiy-Amaliy Konferensiyasi, 2(5), 54-58. https://universalpublishings.com/index.php/itfttdm/article/view/5508
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Abstract

This comprehensive article delves into the diverse traditions, customs, and cultural events that define Uzbekistan's captivating heritage. It eloquently captures the essence of Uzbek hospitality, family values, and artistic endeavors, providing readers with a vivid portrayal of life in this Central Asian nation. The article's strength lies in its exploration of Uzbekistan's major cultural elements, including the significance of hospitality ("mehmondo'stlik"), family-centric customs, and the artistic mastery evident in textiles, ceramics, and embroidery. By highlighting these aspects, the piece offers a nuanced understanding of Uzbekistan's cultural identity. Furthermore, the article effectively showcases Uzbekistan's vibrant calendar of cultural events, from the joyous festivities of Navruz to the international allure of the Sharq Taronalari music festival. Each event is described with enthusiasm, illustrating how they serve as focal points for celebrating Uzbekistan's rich traditions and fostering cultural exchange. The additional insights provided offer valuable supplementary information, expanding on Uzbekistan's culinary delights, architectural marvels, literary legacy, and contemporary cultural initiatives. These details enrich the reader's appreciation of Uzbekistan's multifaceted cultural landscape. Overall, this article serves as an engaging and informative introduction to Uzbekistan's cultural heritage, appealing to both curious travelers and enthusiasts of world cultures. Its blend of descriptive prose and insightful commentary invites readers to embark on a captivating journey through the timeless charms of Uzbekistan.

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References

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