PHRASE THEORY: PHRASE TYPES AND SUBTYPES: COORDINATE, SUBORDINATE AND PREDICATIVE PHRASES

This article explores the stylistic variations in fairy tales 
across different cultures, using Hans Christian Andersen’s fairy tales as a 
primary example. It examines how Andersen's works stand out due to their blend 
of realism, emotional depth, and lyrical quality, diverging from traditional fairy 
tale conventions by incorporating elements of everyday life and moral 
ambiguity. The article also compares Andersen’s style with those of other 
cultural traditions, such as German fairy tales by the Brothers Grimm, Japanese 
folklore, Arabian tales from One Thousand and One Nights, and African oral 
storytelling. By highlighting these differences, the article underscores the 
universal themes of fairy tales—such as good versus evil, transformation, and 
moral lessons—while showing how each culture’s unique stylistic approach 
reflects its values, traditions, and worldview. The analysis concludes by 
emphasizing the enduring relevance and global appeal of fairy tales, noting that 
their stylistic diversity enriches their ability to convey shared human 
experiences.