ISSN 3060-4745 Open Access · Peer Reviewed
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Keywords

Dramaturgy
conflict
Uzbek
theatre
character

How to Cite

ARTISTIC FEATURES OF CONFLICT CONSTRUCTION IN MODERN UZBEK DRAMATURGY. (2026). ACUMEN: INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH, 3(6), 893-896. https://doi.org/10.66301/jabgz484

Abstract

This article examines the artistic features of conflict construction in modern Uzbek dramaturgy, focusing on its structural, aesthetic, and functional aspects within dramatic works. The study explores how internal and external conflicts are expressed through character interaction, dialogue systems, and psychological depiction. Special attention is given to the transformation of conflict in contemporary Uzbek plays, where philosophical and psychological dimensions increasingly dominate over purely social contradictions. The research also analyzes how conflict functions as a central mechanism in plot development and theatrical expression

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References

1. Qahhor, Abdulla. From the Grave Comes a Voice. Tashkent: G‘afur G‘ulom Publishing House, 1962, pp. 45–78.

2. A’zam, Erkin. First Love (Collected Dramatic Works). Tashkent: Sharq Publishing House, 2005, pp. 112–140.

3. Hoshimov, O‘tkir. Between Two Doors. Tashkent: Yangi Asr Avlodi, 1997, pp. 88–130.

4. Rahmonov, M. Issues of Uzbek Theatre and Dramaturgy. Tashkent: Fan Publishing House, 1985, pp. 33–67.

5. Karimov, Sh. Theory of Modern Dramaturgy. Tashkent: University Press, 2018, pp. 21–59.

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